Videos (Intro + Übersicht/ Overview Playlists)

Auf meinem Youtube-Kanal finden sich Einspielungen von Orgelwerken, die ich der Orgel-Emulations-Software Hauptwerk erstellt habe.

My Youtube channel (einer von weitem) contains recordings of music for organ that I have produced using the organ emulation software Hauptwerk.

Die Texte der meisten Videobeschreibungen sind auch auf dieser Seite abgelegt.
The text of most video descriptions is also available on this site.

Videobeschreibungen (nach Komponist) | Video Descriptions (by composer) A-D | E-G | H-N | G-Z


Deutschland allgemein | Germany general

Johann Krieger (1651-1735) Werke für Orgel / Organ Works

Friedrich Wilhelm Zachow

J.S. Bach Pastorella (Pastorale) BWV 590

J.S. Bach und sein Choral „Ich ruf zu dir Herr Jesu Christ“

Bach-Söhne | Bach Sons

Georg Friedrich Kauffmann (1679-1735): Choralvorspiele / Chorale Preludes

Johann Caspar Simon (1701-76): Orgelwerke / Organ Works

Georg Andreas Sorge (1703-78): Clavier Übung

Georg Andreas Sorge: Choralbearbeitungen

Georg Andreas Sorge: Orgeltrios

Georg Andreas Sorge: Sonate B-Dur

Johann Georg Nicolai (1721-88)

Johann Christoph Conrad (1722 -84): Orgelwerke / Organ Works

Johann Balthasar Kehl (1725-78)

Johann Christian Kittel und seine Schüler

Johann Christoph Oley: Choralvorspiele / Chorale Preludes

Ernst Ludwig Gerber (1746-1819)

Dionys Grotz (1748-1817): Präludien in den Kirchentönen — Preludes in the church modes

Caspar Daniel Krohn (1736-1801)

Johann Ernst Rembt: Fughetten

Justin Heinrich Knecht

J. Christian Heinrich Rinck (1770-1846)

Simon Sechter & Rudolf Bibl

Friedrich Wilhelm Stade

Johann Georg Herzog (1822-1909) Orgelwerke / Organ Works

Geissler (ed.) ‚Die Orgel-Componisten des 19.ten Jahrhunderts‘


Berliner Orgelmusik des 17. Jhs. — 17th-c. Organ Music from Berlin

Berliner Orgelmusik des 18. Jhs. — 18th-c. Organ Music from Berlin

Berliner Orgelmusik des 19. Jhs. — 19th-c. Organ Music from Berlin

Kirnberger & Anna Amalia von Preussen

Berliner Choral-Buch 1830

Adolph Bernhard Marx

Carl Friedrich Engelbrecht (1817-79)

Otto Dienel (1839-1905)


Tudor and Stuart English Organ Music

Organists of Westminster Abbey (High Baroque Period)

English Organ Music: The early Georgians to about 1760

English Organ Music: The later Georgians to about 1840

William Boyce (1711-79): Organ Voluntaries

Starling Goodwin (1711-74)

William Goodwin: an 18th-century English organist

Henry Heron: an 18th-century English organist

John Marsh (1752-1828): Organ Voluntaries

Music by the Wesley Family: Charles, Samuel & Samuel Sebastian

Victorian Organ Music

Albert H. Oswald (1879-1929): Edwardian Popular Organ Music


Niels Wilhelm Gade

Edvard Grieg: Orgelwerke / Organ Works

Emil Sjögren (1853-1918)


Musica per organo: Compositori italiani

Domenico Zipoli

Giuseppe Cerruti (1803-69)

Choralbearbeitungen | Chorale-based works

Playlist Ein feste Burg / A Mighty Fortress

Playlist Es ist das Heil uns kommen her (Salvation Unto Us Has Come)

Playlist Es ist ein Ros / Lo How A Rose

Playlist Freu dich sehr o meine Seele

Playlist Gelobet seist du Jesu Christ / All Praise To Jesus‘ Hallowed Name

Gott des Himmels und der Erden

Herzlich tut mich verlangen

In dulci jubilo

Playlist Jesus meine Zuversicht

Playlist Komm o komm du Geist des Lebens / Come O Come Thou Quick’ning Spirit

Liebster Jesu wir sind hier

Playlist Lobe den Herren

Playlist Lobt Gott ihr Christen | Praise God the Lord Ye Sons of Men

Playlist Nun danket alle Gott / Now Thank We All Our God

Playlist Nun sich der Tag geendet hat (Now That The Sun Doth Shine No More)

Playlist O du fröhliche (O How Joyfully)

O Haupt voll Blut und Wunden

Schmücke dich o liebe Seele

Playlist Stille Nacht (Silent Night)

Playlist Vater unser im Himmelreich

Playlist Vom Himmel hoch (From Heaven Above)

Wachet auf ruft uns die Stimme

Playlist Wer nur den lieben Gott lässt walten / If Thou But Suffer God To Guide Thee

Playlist Wie schön leuchtet der Morgenstern / How Brightly Beams the Morning Star


Bureå Kyrka

Komponistinnen | Woman composers

Pastorale (Playlist)

Unbekanntere Fugen für Orgel — Lesser-known Fugues for Organ


Ein Gedanke zu „Videos (Intro + Übersicht/ Overview Playlists)

  1. Hello Andreas!

    I was delighted recently to discover your charmingly sensitive interpretations of the three little gems of organ-music by Kate Boundy, and to read the results of your researches into the all-too-brief life of this most interesting composer.

    In my selection of repertoire as a working organist I like to celebrate anniversaries, and this year, of course, we have had the 150th anniversaries of the births not only of the international figures Nielsen and Sibelius, but also of four great British organist-composers: Herbert Brewer, Alfred Hollins, Edwin Lemare, and William Wolstenholme. I was therefore disturbed to discover that in this context I had, until now, overlooked Kate Boundy. However, I look forward to rectifying that omission, albeit belatedly, as soon as the Festive Season is over.

    Regarding your note on tempi, I find that in „The Village Organist“ there are considerable discrepancies between the tempo markings and the estimated timings, even taking into account the fact that the durations quoted are apparently all rounded to the nearest half minute, which can give a high percentage of error with durations as short as one or two minutes. I hope you might be interested in my following remarks on the subject.

    In the „Andante grazioso“ I reckon a 2’00 performance would require a tempo of 52 dotted crotchets per minute, which does seem quite appropriate, whereas the suggested tempo of 66 would take only about 1’35, which, as you say, changes the character of the piece quite dramatically! As for the unhelpful instruction „In flowing time“, how can time do anything other than flow (metaphorically, at least)? Incidentally, I notice that you say that this piece was published in 1894: my copy says „Copyright, 1897“. Do you have some information which contradicts that?

    Returning to the tempo problems… „Even Song“ would take nearer 2’45 than 2’00 if it were played at a tempo of 104 quavers per minute. But why would anyone wish to count it in quaver beats at all? 2’00 can be achieved comfortably (as in your own performance) with about 60 dotted crotchets per minute. As for „Molto moderato“, that seems to me to be a contradiction in terms! Again, my date differs from yours: I have „Copyright, 1898“ (not 1897).

    In the „Andante patetico“ I reckon the suggested tempo of 40 minims per minute would give a duration of 2’12 (almost exactly that of your own performance) rather than the 1’30 stated. No problem with the date here!

    In spite of these problems, I think you have chosen entirely appropriate tempi, with just the right amount of rubato, for your delightful performances. Thank you for the pleasure they have given me.

    Best wishes for the Festive Season and beyond.

    Kerr Jamieson.

    Duror of Appin,
    North Argyll,

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